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Dirección: Scott Hicks. Interpretación: Catherine Zeta-Jones (Kate Armstrong), Aaron Eckhart (Nick Palmer), Abigail Breslin (Zoe), Patricia Clarkson (Paula), Jenny Wade (Leah), Bob Balaban (terapeuta), Brian F. O'Byrne (Sean), Lily Rabe (Bernadette), Eric Silver (John), Arija Bareikis (Christine), John McMartin (Sr. Peterson). Guión: Carol Fuchs; basado en el guión de la película "Deliciosa Martha" (2001) de Sandra Nettelbeck.

The original music Clip/Track from the 1988 StudioAlbum "Castalia". Featuring: Mark Isham, David Torn, Terry Bozzio, Mick Karn (same team as on "Cloud About Mercury" on ECM) -- Wer sich über das "TELE5" Logo wundert: Früher, als die Verblödung noch nicht heutiges Level erreicht hatte, liefen Nachts auf Tele 5 wunderbare Musikvideos abseits des Mainstreams: Jazz, NewAge, Elektronik, Blues und sogar Klassik.

Composing sound to picture, an interview with Mark Isham. www.m-audio.com

Some of Mark Isham's best film music. Buy the CD's of Mark Isham!

Frank Trumbauer got his start playing in several dance bands in the Midwest and eventually became musical director of Jean Goldkette's Orchestra. He led his own band at the Acadia Ballroom in St. Louis that featured Bix. They played together in Jean Goldkette's Orchestra and made many highly influential recordings together. They both joined Adrian Rollini's short lived band and then joined the Paul Whiteman Orchestra in 1927. Trumbauer stayed with Whiteman until 1932, when he left to form his own band. He then rejoined Whiteman in 1933. In the mid-30's he played with Charlie and Jack Teagarden and then led his own band in California. During World War II he left the music business, but after the war he played in the NBC Orchestra. As for Isham Jones, he grew up in Saginaw, Michigan, where he started his first band. In 1915 he moved to Chicago, which remained his base through 1924. He then toured England before reestablishing himself in New York City. The Isham Jones band made a series of popular gramophone records for Brunswick throughout the 20's. Isham Jones led one of the most popular dance bands in the 20's and 30's. Noted musicians who played in Jones' band included Louis Panico, Benny Goodman (although he did not make any records during the short time he was with them), Woody Herman and Roy Bargy. From 1929 to 1932, his Brunswick recordings became even more sophisticated with often very interesting arrangements (probably by Gordon Jenkins; Jones was not known to have been an arranger, but he certainly had an ear for offbeat arrangements). During this period, Jones started featuring violinist Eddie Stone as one of his regular vocalists. Stone had an unusual, almost humorous tone to his voice. It seems that Jones was indifferent to vocalists until he started using Frank Sylvano and Eddie Stone starting in 1929 and in 1932, Joe Martin. About this time, a young Bing Crosby recorded "Sweet Georgia Brown" with Isham's group. In 1932, Jones signed with Victor and these records are generally considered among the very best arranged and performed commercial dance band records of the Depression era. Victor's recording technique was especially suited to Jones' band. His Victors had an almost symphonic sound. He stayed with Victor until July 1934, when he signed with Decca. Jones' recordings during this period rivaled Paul Whiteman and other dance orchestras as examples of the very best dance music of the era. Jones' many compositions (he wrote the music, Charles Newman and Gus Kahn were among his lyricists ) included: "I'll See You in My Dreams", "The One I Love (Belongs to Somebody Else)", "Swingin' Down The Lane", "On the Alamo", "It Had To Be You", "What's The Use?", "Not A Cloud In The Sky", "Spain", "You're Just A Dream Come True", "I Wouldn't Change You For The World", "Let That Be A Lesson To You", "I Can't Believe It's True", "One Little Word Led To Another", "The Wooden Soldier And The China Doll", "I'll Never Have To Dream Again", "Pretending You Care", "There's Nothing Left To Do But Say Goodbye"; "You've Got Me Crying Again" "Old Lace", "Something Seems To Tell Me", "All Mine, Almost", "You're Welcome", "Bubbles In The Wine" and "There Is No Greater Love". After he left Decca, he signed with ARC and recorded a handful of records under the Melotone, Perfect and Banner labels from 1937 to 1938, when he retired and his orchestra was taken over by band member Woody Herman. The superb record presented here was made for Columbia on April 5th, 1932. Vocals by Helen Roland and Johnny Blake. Further personnel included: Charles Margulis, trumpet; Bill Rank, trombone; Izzy Friedman, clarinet and alto saxophone; Charles Strickfaden, alto saxophone; Frankie Trumbauer, C-melody saxophone; Min Leibrook, bass saxophone; Lennie Hayton, piano; Matty Malneck, violin; Eddie Lang, guitar; Hal MacDonald, drums. For your information: complete title of this side states as follows: "Medley Of Isham Jones Dance Hits - On The Alamo - Swinging Down The Lane - I'll See You In My Dreams".

Mark Isham My Wife With Champagne Shoulders

Thai dancers at Wat Buddhapadipa พุทธปทีป temple, Wimbledon, London, 18/06/06. Traditional Thai dancing set to Mark Isham's dreamy theme 'Flames', from the 2004 film Crash. Video Copyright (c) Blutey.

This is essentially what happens when I get bored during spring break in Indiana. So, here we go. These are pictures I have edited using PhotoImpression 4 set to music with Windows Movie Maker. All pictures are of me and edited by me, Briana Nicole Myers. Enjoy!

A Twilight Princess Trailer, the song is Sense of Touch by Mark Isham from the movie Crash.

Isham Jones and His Orch. performing 3 tunes. The first is Why Can't This Night Go On Forever (written by Jones) with a vocal by Frank Sylvano, The 2nd I don't recognize and the 3rd, of course, is an arrangement of Rachmaninoff's Prelude in C# Minor.

Crash OST

Brunswick 2423-A (9791) "Memphis Blues" Fox Trot (Norton-Handy) Isham Jones Orchestra. "For Dancing" ;) First issued circa early 1923. Played on my VV-50, in the park.

Isham Jones led one of the finest dance bands of the 20's and wrote several standards, such as "It Had To Be You", "I'll See You In My Dreams", "Swingin' Down the Lane" and "The One I Love Belongs to Somebody Else". This excellent record was made for Brunswick on October 2nd, 1925.

I love Fashion TV

Here is "Mama Loves Papa", recorded in New York, October 12, 1923 by the great Isham Jones Orchestra, issued on Brunswick 2506. Playback is on my ca. 1907 Victor VI with HMV No.4 soundbox.

Soundtrack from Movie " The Mist " by Frank Darabont. Starring : Thomas Jane Marcia Gay Harden Laurie Holden Toby Jones Nathan Gamble

Cool, ethereal skydiving music by Mark Isham for the movie Point Break.

Me'shell NdegeOcello: If that's your boyfriend. From the album Plantation Lullabies. A classic! Mark Isham: Lazy Afternoon. From the album Blue Sun.

Isham Jones Orch. - What's The Use?, Brunswick 1930 Isham JONES (1894 -1956) was a United States bandleader, violinist, bassist and songwriter. Jones was born in Coalton, Ohio, and grew up in Saginaw, Michigan, where he started his first band. In 1915 he moved to Chicago, Illinois, which remained his base through 1924. After that he toured England before reestablishing himself in New York City. The Isham Jones band made a series of popular gramophone records for Brunswick throughout the 1920s. Isham Jones led one of the most popular dance bands in the 1920s and 1930s. Noted musicians who played in Jones' band included Louis Panico, Benny Goodman (although he did not make any records during the short time he was with them), Woody Herman, Walt Yoder, and Roy Bargy. From 1929 to 1932, his Brunswick recordings became even more sophisticated with often very interesting arrangements (probably by Gordon Jenkins). During this period, Jones started featuring violinist Eddie Stone as one of his regular vocalists. Stone had an unusual, almost humorous tone to his voice (see: http://pl.youtube.com/watch?v=naWHBmrf5VE ). It seems that Jones was indifferent to vocalists until he started using Frank Sylvano in 1929 and in 1932, Joe Martin. About this time, a young Bing Crosby recorded "Sweet Georgia Brown" with Isham's group. In 1932, Jones signed with Victor and these records are generally considered among the very best arranged and performed commercial dance band records of the Depression era. Victor's recording technique was especially suited to Jones' band. His Victors had an almost symphonic sound. He stayed with Victor until July 1934, when he signed with Decca. (Jones' recordings during this period rivaled Paul Whiteman and other dance orchestras as examples of the very best dance music of the era.) After he left Decca, he signed with ARC and recorded a handful of records under the Melotone, Perfect and Banner labels from 1937 to 1938, when he retired and his orchestra was taken over by band member Woody Herman. Isham Jones died in Hollywood, Florida in 1956. Here's another Isham Jones' great recording: http://pl.youtube.com/watch?v=FNJDWH3cJfM

Catwalk footage from the Ashley Isham A/W 2008-9 show at London Fashion Week. For more visit www.catwalkqueen.tv

Isham Jones led one of the finest dance bands of the 20's and wrote several standards, such as "It Had To Be You", "I'll See You In My Dreams", the present "Swingin' Down the Lane" and "The One I Love Belongs to Somebody Else". This excellent record was made for Brunswick on December 15th, 1930. Thanks to the reproduction so kindly provided by LordWham, I'm able to present in this video a picture featuring the sheet music of this 1923 composition.

Composers Corner: Mark Isham - Reservation Road. Behind the scenes of the making of the Reservation Road score for the film and soundtrack. Reservation Road score album available on Lakeshore Records.

Singapore Fashion Festival 2008 ASHLEY ISHAM Autumn/Wintr 2008 For photos and more coverage of the Singapore Fashion Festival 2008, kindly access www.singaporesights.com

Mark Isham, The Cooler soundtrack

One of the greatest successes for Isham Jones, this song was America's #1 for seven weeks in late 1924 and early 1925. If one were to draw up a list of popular songs typifying the spirit of the mid-twenties this number would emphatically make the top five. Here's more from Wiki: "I'll See You in My Dreams" is a popular song. One of the most beloved and popular songs of its day, "I'll See You in My Dreams" was written by Isham Jones, with lyrics by Gus Kahn. The song was published in 1924. Below are its well-known lyrics: INTRO Though the days are long, Twilight sings a song, Of the happiness that used to be; Soon my eyes will close,, Soon I'll find repose, And in dreams you're always near to me.'' CHORUS I'll see you in my dreams, Hold you in my dreams;, Someone took you out of my arms, Still I feel the thrill of your charms!, Lips that once were mine, ''Tender eyes that shine, They will light my way tonight, I'll see you in my dreams!'' The song was chosen as the title song of the movie of the same name, a musical biography of Kahn. Popular recordings of it were made by many leading artists including Marion Harris (1924), Louis Armstrong, Pat Boone, Doris Day, Ella Fitzgerald, Tony Martin, Anita O'Day, Ezio Pinza, Jerry Lee Lewis (1958, instrumental) and Andy Williams. The song was recorded by Django Reinhardt and the Quintet of the Hot Club of France and eventually inspired Merle Travis to record it as a guitar instrumental. Many other guitarists including Chet Atkins and Marcel Dadi followed in Merle's footsteps and the piece has now become a standard guitar showpiece. The song was on the soundtrack for the 1940 film Kitty Foyle, which won Ginger Rogers her only Academy Award Oscar for Best Actress in a Leading Role. It was recorded by Mario Lanza on his Coca-Cola Show of 1951-52 and is available on a CD compilation mastered from those same shows and featuring the same title "I'll See You in My Dreams" released by record company BMG in 1998. The English singer Joe Brown performed a version of the song on the ukulele as the finale of the George Harrison tribute concert, Concert For George, in 2002. Later in 2003 the Portuguese metal band Moonspell recorded a version that would serve as sound track for the short movie I'll See You in My Dreams of which was recorded also a music video. Jones leads the Ray Miller orchestra and vocalist Frank Bessinger.